This project delves into the unsettling realm where humanity intersects with artificiality, prompting reflection on emotional complexities when faced with the potential replacement of living beings by man-made creations.
Drawing from ancient narratives like Pygmalion to modern films and literature, it explores the tension between desire and fear surrounding artificial figures' ability to enchant and deceive.
Informed by Freud's theory of the "Das Unheimliche" and Mori's "Uncanny Valley" hypothesis, it captures the eerie feeling evoked by lifelike yet lifeless entities, challenging perceptions of authenticity.
The girls portrayed represent a fascinating duality: on the one hand, they seem to reflect the dolls' ideal of perfection and control, with their delicate features and impeccable poses; on the other, they convey a feeling of foreboding and dissonance, which underlines the lack of authenticity and vitality.
The project provokes inquiry into the psychological implications of interacting with artificial entities that mimic human appearance without vitality, urging a deeper connection with our humanity.
